As we are nearing the end of the first half of 2023, we have all become more comfortable with change and disruption. Whether it is the pandemic, environmental factors, unstable global economic conditions, or tech evolution, we have learned to bounce back quickly. One industry that has had to be particularly agile during the past few years is the filmmaking industry. 

Canon’s new report (written in conjunction with The Future Laboratory) – The Future of Filmmaking, reveals the industry’s efforts to be a catalyst of change that inspires the creative industry to transform its narrative and to shine its spotlight on topics that will be significant in shaping the future of our world, and that of the African continent. 

Interestingly, the report sheds light on the human landscape and its power to create, cultivate, and drive change. The power of people ultimately makes things happen and pushes us toward progress and advancement in any industry. The report highlights four crucial aspects that may be driven by tech but not necessarily led by tech. In my view, these are significant factors directly proportional to the content creation and filmmaking industries and will undoubtedly shape the future of these industries.

Rise of the Creative Class

According to the UNESCO report, global cultural and creative industries (CCIs) are estimated to generate about $2.25 trillion annually, which accounts for 3% of the global GDP and employment of around 30 million people worldwide.

It is fascinating to see the rise of this creator economy, which the report identifies as the “New Creative Class”. As we witnessed an unprecedented boom in digitalisation over the last 10 years, this creative class sprang into action using technologies to deliver a fresh and novel take on content creation. 

If we lens in on the African continent, which is closer to home and more interesting to me, we see some remarkable trends in the creative economy. In Nigeria, as this report shows, the sector employs 4.2 million people and is expected to employ a further 2.7 million by 2025, an increase of more than 50% in the next two years. 

Despite the significant contribution made by the new creative class toward societal and economic progress, there still seems to be a gap in recognition compared to other industries.

The emerging community of content creators is striving to achieve fair working conditions, equitable payment models, and new standards in the industry that reflect their value and contributions. This is a positive development for the creative sector in its rightful plea to be recognised and treated fairly compared to other industries.

Stay Local

The explosion of digital technologies may have given us the power to do anything from anywhere, but like all things, too much of anything is not always good and has its own consequences.

With the plethora of content choices that suddenly became available for audiences to consume worldwide, an interesting trend emerged. People slowly started taking their eyes off the global stage and shifted their gaze towards local and home-made content that told stories of their land and their people. 

Given our natural desire as humans to find meaning, connectivity, and relatability, the narrative of authentic stories led independent storytellers, documentary-makers, content creators, and filmmakers to explore topics that local people resonate with. So, it’s no surprise that global streaming giants like Netflix and Disney are investing in Africa to tap the unexplored potential and talent.

The report encapsulates the essence of the ‘Stay global, go local’ movement and asserts that media organisations and creative firms will progressively be compelled to shift sight closer to home when it comes to entertainment and content production. 

Conscious Consumption

The current climate crisis affects us all, no matter which industry or walk of life we come from. The severity of climate change needs to be taken seriously globally, and genuine efforts must be made for scaled initiatives to reduce our carbon footprints. The streaming industry is no exception to this; the carbon impact of the industry drastically needs to be reduced by adopting a more sustainable approach towards this issue. 

The report underpins the significance of consumer demand as a key driver toward adopting sustainable practices and better industry standards. With people gaining more awareness about the environmental impact of their consumption choices, they are likely to demand pro-environmental practices, thus compelling the industry to adopt a pro-active approach towards sustainability.

Inclusive Innovation 

The Future of Filmmaking report highlights the positive development of inclusivity and diversity. It emphasises that the new creative class is at the forefront of inclusivity and is not afraid to challenge the already-established broadcasters. This new generation of creators identifies technology to harness change and propel social progress. Decentralisation will be a key trend touching every area of the industry, from financing to licensing and distribution and more, creating new opportunities for the underrepresented creators and bringing them closer to their fans. 

Continuing the Legacy of Storytelling 

These trends are a wake-up call to many in the industry to pay attention to the changing needs of people and to evolve with them. However, we must always return to the basics and remember the importance of telling stories.

While these trends affect the industry by and large, the shifts create more freedom for storytellers to come forth and tell their stories in unique and inspiring ways, enabling them to create content that is responsive to the tastes, locations, and ethics of their audiences in a way that has never been possible before. 

All in all, the report tells me that this is an exciting time to be a creator, with the industry opening its doors to new opportunities that reflect change, growth, development, and progress

The acclaimed program is presently filming its sixth season after previously tracing the late monarch’s life across several decades.

“As a mark of respect, filming on ‘The Crown’ was suspended today,” a Netflix spokeswoman said in a statement.

“Filming will also be suspended on the day of Her Majesty The Queen’s funeral.”

The multiple Emmy-winning series began in its first season with Queen Elizabeth’s wedding to Prince Philip in 1947.

The royal family’s involvement in 1990s events, such as Princess Diana’s passing, is scheduled to be covered in the fifth season, which will debut in November and will feature Imelda Staunton in the Queen’s place.

Netflix has not yet revealed any information regarding season six, although it is anticipated to depict more contemporary events, such as what happened when Diana was killed in a terrible automobile accident and how it affected the royal family.

The announcement came as Hollywood stars and executives from Netflix and other major studios gathered in Toronto for the city’s international film festival.

Theaters turned off their illuminated marquees in the Canadian city on Thursday to mark the death of the Commonwealth monarch, while flags were lowered and the famous CN Tower also dimmed its lights.

Former “Harry Potter” star Daniel Radcliffe was among the stars to address the Queen’s death at the festival, telling reporters that her absence felt “weirdly inconceivable and surreal right now.”

“My parents and I, nobody of my age or their age has ever lived in a country without her,” he said on the red carpet for his new movie “Weird: The Al Yankovic Story.”