Los Angeles Superior Court Judge Carolyn Kuhl denied motions for a new trial on Tuesday, according to court documents.

The ruling means a March jury verdict awarding $6 million in damages will remain in place while both companies pursue appeals.

The case was brought by a 20-year-old California woman identified in court records as K.G.M., also known as Kaley.

She told jurors she began using YouTube at the age of six and Instagram at nine, and later developed anxiety, depression, body dysmorphia and suicidal thoughts.

Her lawyers argued that features built into the platforms, including algorithmic recommendations, beauty filters, endless scrolling and push notifications, encouraged compulsive use and contributed to her mental health issues.

After hearing the evidence, the jury found both companies negligent and concluded they acted with malice, oppression and fraud.

Jurors awarded $3 million in compensatory damages and a further $3 million in punitive damages, bringing the total award to $6 million.

Meta was assigned 70% of the liability, amounting to $4.2 million, while YouTube was held responsible for the remaining 30%, or $1.8 million.

The trial attracted attention because it was the first to reach a verdict among more than 1,600 related lawsuits filed across the United States by young people, families and school districts.

The litigation accuses social media companies of designing products that encourage addiction among children and teenagers while contributing to mental health problems.

Several senior technology executives testified during the proceedings. Meta chief executive Mark Zuckerberg spent about eight hours on the witness stand and was questioned about internal company documents showing that Instagram had four million users under the age of 13 in 2015.

Instagram head Adam Mosseri also testified and acknowledged that spending 16 hours a day on the platform could be “problematic.”

Meta said it “respectfully disagrees” with the verdict and plans to appeal. The company argued that teenage mental health is influenced by many factors and cannot be linked to a single app.

Google, which owns YouTube, also intends to challenge the ruling. The company argued that the case “misunderstands YouTube” because it views the service as a streaming platform rather than a social media network.

As it stands, lawmakers and child safety advocates are currently pushing for stronger protections for young users online, including uncompromising age-verification requirements, expanded parental management and changes to platform design.

MTN Nigeria has announced a public inquest scheduled for June 6, 2026, in which the mechanics of mobile data delivery, a subject that has fuelled persistent consumer frustration and regulatory scrutiny, will be subjected to structured, adversarial examination before a live national audience.

The context matters. Nigeria’s mobile internet subscriber base crossed 153.2 million in Q1 2026, according to data from the Nigerian Communications Commission (NCC), operating within an ecosystem where data traffic has grown exponentially. Yet subscriber trust has not kept pace with subscriber numbers.

Complaints about data depletion, speed inconsistencies, and opaque billing have remained a stubborn feature of the consumer experience, a gap between what networks advertise and what users believe they receive.

MTN’s response to that credibility deficit is structurally unusual. Rather than the standard combination of press releases and technical explainers, the operator is staging what it describes as a courtroom-style proceeding, with defined prosecution and defence teams, live evidence, and independent verification.

The design of the prosecution side is particularly notable. MTN is not selecting its questioners. Instead, it is partnering with independent media channels to allow Nigerians to vote for a five-member prosecution team drawn from technology creators and consumer advocates, figures the public, not the company, deems credible.

Those selected will be granted autonomous cross-examination rights over MTN’s technical executives, network engineers, and third-party mobile hardware specialists who will form the defence.

To address the obvious risk of a process that looks independent but isn’t, MTN has brought in KPMG to independently verify every diagnostic tool and backend demonstration utility used during the session. That decision is significant.

KPMG’s involvement raises the accountability stakes considerably and narrows the room for the kind of selective data presentation that has previously undermined corporate-led transparency exercises in the sector.

The entire proceeding will be streamed live across television, YouTube, Facebook, X, and TikTok, a distribution footprint that signals MTN is not treating this as an industry event but as a national public conversation.

What makes the initiative analytically interesting is what it reveals about the current state of the telco-consumer relationship in Nigeria.

The very existence of a format this elaborate, prosecution teams, independent auditors, live streaming, suggests that conventional communication has failed to close the trust gap. Operators have explained, demonstrated, and published. Subscribers remain sceptical.

The inquest format is, in essence, an admission that the burden of proof now requires a different standard of evidence.

Whether the June 6 event delivers on that standard will depend on execution. The selection process for the prosecution team, the quality of evidence tabled by both sides, and the degree to which KPMG’s verification role is genuinely independent rather than ceremonial will determine whether this becomes a replicable model for consumer accountability in African telecoms, or a well-produced exercise that changes little.

The venue is yet to be confirmed. The question it is trying to answer, however, has been on the table for years.

This has made many smartphones users wonder why their devices seem to run out of storage much faster than before.

The answer lies in how smartphone and digital services have changed. Today’s mobile devices are more powerful than before, and the apps, photos, videos, and features that come with them also require more storage.

One major reason behind smartphones running out of storage space quickly is that mobile apps  have become much larger.

Mobile apps have significantly evolved far beyond their original purpose. Social media platforms now support features such as short-form video creation, live streaming, AI-powered recommendations, and integrated business tools. As a result, app sizes and updates are often larger than they were a few years back.

Photos and videos are another major reason for storage consumption. Smartphone cameras have improved significantly over the years, with many devices now offering 50MP, 108MP, and even 200MP sensors.

While these cameras produce sharper and more detailed images and videos, the resulting files are much larger than those produced by older phones.

A few minutes of 4K video can consume hundreds of megabytes, and regular content creation can quickly fill up available storage.

For many users, WhatsApp may be the biggest hidden storage consumer. Photos, videos, voice notes, documents, status updates, and stickers are often downloaded automatically and stored on the user’s device.

These files then accumulate in the background, occupying several gigabytes without the user’s knowledge.  In active groups like a class, church, friends, or social groups, the amount of media received daily can be substantial.

Artificial intelligence is also contributing to growing storage demand. Many modern smartphones now include AI-powered features like image enhancement object and background removal, live translation, voice transcription, and smart assistants. While they improve the user’s experience, these tools often require additional software components and data files that occupy storage devices.

Also, smartphones operating systems themselves have become much larger. New versions of Android and iOS come with expanded functionality, improved security features, and deeper integration with cloud services.

Manufacturers also pre-install applications and system tools that take up parts of the available storage before users even begin using their devices.

The growing popularity of streaming and content creation has also played a significant role. Offline downloads from platforms such as Netflix, Spotify and YouTube can consume a large amount of storage, especially when high-quality settings are enabled. Users who download content for later watch or listening, available space can disappear quickly.

What Can Users Do?

Though the demand for storage space is majorly a result of modern smartphones usage, there are some steps users can take to manage available space more effectively.

1. Review Your Storage Usage Regularly

Most smartphones provide a breakdown of what is consuming user’s storage, including the apps, photos, videos and documents. Checking them regularly can help you identify and remove unnecessary files before it becomes a problem.

2. Manage Your WhatsApp Media Downloads

WhatsApp is often one of the largest consumers of storage. Users can reduce unnecessary downloads by disabling automatic media downloads and deleting old photos, videos, and documents that are no longer needed.

3. Remove Unused Apps

Many mobile phone users still keep apps they rarely use. Uninstalling applications that have not been opened for several months can free up significant storage space while also reducing background activity.

4. Make Use of Cloud Storage

Google photos, Google Drive, and iCloud can help reduce the burden on local storage.  Users should also ensure that files already backed up to cloud are not unknowingly duplicated on the devices.

5. Clear App Cache

Applications store temporary files, known as cache to improve performance. These files often accumulate and occupy some spaces. Clearing cache can help recover storage without affecting valuable personal data.

6. Choose Your. Storage Based on Usage Habits

The need for storage varies from one user to another. While everyday smartphone user may be comfortable with 128GB, those who frequently create video contents for brands and companies, and store a large amount of media should consider 256GB, 512GB or even a higher capacity when purchasing a new smartphone.

As smartphones cameras improve, applications become more sophisticated and AI features become increasingly common, the demand for storage is likely to continue rising. For consumers, this means storage capacity should now be considered as carefully as battery life, camera quality and processing power when buying a new device.

It is also important to know that smartphones running out of storage are not always a sign that something is wrong. In many cases, it shows the reality of how modern digital services work. Understanding what is taking up space can help users manage their devices more effectively and make better purchasing decisions in the future.

The company said it will start using internal detection systems from May 2026 to identify videos containing what it described as “significant photorealistic AI” content.

When creators fail to disclose that material, YouTube will now add the label automatically.

The update also changes where viewers see those warnings. Instead of hiding them inside video descriptions, YouTube will place labels directly below long-form videos and over Shorts, making them easier to spot.

YouTube has required creators since 2024 to disclose content made with AI tools when videos could realistically be mistaken for real people, places or events. However, content that was clearly fictional, animated or unrealistic did not need the same treatment.

Now, the company says it wants a more reliable system as AI video tools become harder to distinguish from real footage.

“We’ve heard consistently from our community that they value transparency when it comes to generative AI content,” YouTube said.

“That’s why since 2024, we’ve been labeling content when creators disclose they’ve used AI tools.”

The platform said the policy itself has not changed, but enforcement is becoming more active as AI-generated video quality improves.

The announcement follows the launch of Google’s Gemini Omni models at the company’s developer conference last week. Google said the models can generate highly realistic videos while showing an understanding of subjects including physics, science, history and culture.

Under the new system, creators will still be expected to disclose AI-generated content themselves. However, YouTube explained it will step in when its systems detect realistic AI content that has not been labelled.

“If a creator doesn’t specify whether or not they used AI, but our systems detect significant photorealistic AI use, we will now automatically apply a label,” the company said.

Creators who believe their content was wrongly flagged will be able to update the disclosure status through YouTube Studio. Still, YouTube said labels will remain permanent in some situations.

That includes videos produced using YouTube’s own AI tools such as Veo and Dream Screen. The same applies to videos carrying C2PA metadata showing they were fully generated with AI systems.

C2PA is an industry standard designed to help identify AI-generated and digitally altered media. Companies including OpenAI, Nvidia, Kakao and Eleven Labs have backed the standard in recent months.

YouTube is also changing how labels appear across the platform.

For long-form videos, labels will now be directly below the video player and above the description section. On Shorts, viewers will see them as overlays on the video itself.

The company said labels for unrealistic or lightly edited AI content will still appear only inside the expanded description section.

“By moving these labels on to the main stage, viewers get the context they need at a glance,” YouTube said.

The changes align with YouTube’s expansion of other tools aimed at detecting manipulated content. The company recently increased access to its AI deepfake detection system, allowing adults to scan the platform for videos that may contain their likeness.

At the same time, YouTube continues adding AI features across its services, including AI-generated video summaries, playlist tools for YouTube Music, interactive search functions and creation tools for creators.

Despite the labelling system, YouTube said the presence of an AI label will not affect recommendations or whether creators can make money from their videos.

“It’s important to note that a disclosure label alone does not change how a video is recommended or whether it’s eligible to earn money,” the company said.

She catches the first 10 minutes of Nigeria vs. whoever – live, free, crystal-clear (oh Nigeria is not playing at the World Cup this year. Ok, let’s say Ghana). The drama hooks her instantly.

By halftime she’s convinced her mates to stream the rest on their local broadcaster. Meanwhile, a creator she follows drops a tactical breakdown with sponsor shoutouts woven in naturally.

Everyone wins: the fan gets the game her way, FIFA reaches a new generation, broadcasters sell more ads, and brands get their message in front of millions who were never glued to traditional TV.That scenario isn’t fan fiction.

It’s the exact playbook behind the Preferred Platform deal FIFA and YouTube announced on March 17, 2026.

This isn’t a full handover of live rights (traditional broadcasters still own the main feast). It’s something smarter: a digital appetizer that supercharges reach, unlocks fresh ad revenue, and future-proofs the world’s biggest sporting event.

The Deal:

Official media partners – think FOX, Telemundo, SuperSport, beIN, and others, can stream the first 10 minutes of every single one of the 104 matches live on their YouTube channels.

It’s the ultimate hook, enough action to get hearts racing, then a gentle nudge: “Full match on our main channel.” Select full matches will also stream on those same YouTube channels, market-by-market.

FIFA is flooding YouTube with premium archive, full classic games, iconic moments, behind-the-scenes footage. A global creator program gives independent YouTubers official access to produce highlights, analysis, Shorts, and player profiles.

Crucially, media partners now monetize this content directly on YouTube through pre-roll, mid-roll, and other ad formats, extra revenue on top of their traditional broadcast deals. No cannibalization, just multiplication.

Mattias Grafström FIFA secretary general, called it “game-changing.”

He’s right. After TikTok got a similar deal earlier in 2026, YouTube, already the second-biggest Preferred Platform, brings the scale: 2 billion logged-in users monthly and a sports audience that watched 35 billion hours of content last year alone (up 45% year-over-year).

The Numbers That Make Marketers’ Hearts Race

Let’s talk money, because this partnership isn’t charity. FIFA’s overall haul is record-breaking. The 2023–2026 cycle is projected to generate around $13 billion total, with roughly $8.9 billion landing in 2026 alone.

Broadcasting rights are expected to hit $3.9–4.3 billion (up from $3.4 billion in Qatar). Sponsorships are sold out at over $2.8 billion.

Tickets and hospitality add another $3 billion. This 48-team tournament in North America is simply printing money.

U.S. broadcasters are set for a Super Bowl-sized payday. FOX and Telemundo are projected to pull in $850 million in advertising revenue, just from the World Cup.

That’s more than double the $384 million they made in 2018. The combination of home-soil hosting, expanded format, and U.S. participation is the rocket fuel.

YouTube’s slice is the growth story. In 2022, even with more limited rights, fans watched over 600 million hours of World Cup content on the platform.

One Brazilian creator (CazéTV) gained 5.5 million subscribers and racked up 500 million views. Live streams hit peaks of 6 million concurrent viewers. Now imagine that multiplied by official 10-minute live kickoffs, full select matches, creator content, and Shorts that live forever in the algorithm.

Global ad spend tied to the tournament is forecast to surge by $10.5 billion in the quarter it runs – 1.1% incremental lift to the entire ad market.

A big chunk of that incremental money is shifting to digital platforms like YouTube, where brands can target precisely rather than buy 30-second TV spots.

Advertisers and Sponsors

The Real Winners: Traditional World Cup sponsors (Adidas, Coca-Cola, Visa, etc.) already have global deals locked in. But the YouTube layer opens the floodgates for everyone else:Precision targeting on steroids.

A brand selling energy drinks can hit 18–34-year-olds in emerging markets who discover the tournament via YouTube teasers. Cost-per-view is dramatically lower than TV, and engagement is higher because people choose to watch.

Creator economy gold –  

Official creator content means authentic integrations, think a popular analyst breaking down Messi’s movement while a watch brand flashes on screen. Trust transfers directly. Highlights, Shorts, and archive footage keep generating ad impressions for months after the final whistle. It’s not one-and-done like a live match.

Gen Z and Millennials in Africa, Asia, and Latin America aren’t always parking themselves in front of a TV for 90+ minutes. YouTube meets them where they are, phones, laptops, living rooms.

For broadcasters, the YouTube money is pure upside. They keep their primary TV/streaming revenue and earn from digital ads. FIFA gets broader reach without eroding the value of its billion-dollar broadcast contracts. YouTube cements its position as the go-to sports destination.

The Human Side:

Fans First, Business Second – The genius here is that it feels generous to fans while being ruthlessly smart for business.

In markets where paywalls (like DSTV in parts of Africa) frustrate younger viewers, those 10-minute live windows become the entry point. A casual scroll turns into lifelong fandom.

And every time someone watches a highlight or creator reaction, another ad plays.As the tournament kicks off in June, expect to see brands everywhere, not just during water breaks on TV, but in the Shorts that get millions of views overnight, in creator videos that feel like chatting with mates, and in the algorithm that keeps serving up World Cup magic long after the final.

FIFA and YouTube didn’t just sign a partnership. They rewrote the sports media playbook: give fans more ways in, let creators amplify the magic, and let advertisers ride the wave across every screen.

The pitch is bigger than ever, and the business side is scoring goals before the first whistle even blows.

At the centre of the case is a 19-year-old woman from California, identified in court papers as K.G.M. She argues that she became hooked on the apps while still a child and that prolonged use damaged her mental health. 

She is asking the court to hold the companies liable for the effects of their product design, not just the content she consumed.

Beyond a single dispute, the trial emphasises whether a digital product can be treated like any other consumer good when it causes harm. That question will now be argued in open court, under oath, and in front of a jury.

Lawyers for the plaintiff say this is the first time technology firms must defend themselves at trial on claims that their platforms injured a young user.

Report Links Growing Mental Health Crisis among Children to Use of Technology

Matthew Bergman, the lead attorney, said: “They will be under a level of scrutiny that does not exist when you testify in front of Congress.”

The jury must decide whether the companies were negligent, and whether use of the platforms played a role in K.G.M.’s mental health challenges, as distinct from other factors in her life or the third-party material she viewed. Legal experts say the result could influence hundreds of similar cases awaiting resolution.

“This is really a test case,” said Clay Calvert, a media lawyer at the American Enterprise Institute. “We’re going to see what happens with these theories”.

Senior executives are expected to be called. Meta chief executive Mark Zuckerberg is due to testify, an uncommon sight for a technology founder in a civil courtroom. 

Snap’s chief executive Evan Spiegel had also been expected, but Snap agreed to settle the case against it earlier this month. The company has not disclosed the terms.

The remaining firms are preparing distinct defences. Meta has said its products did not cause the plaintiff’s difficulties and mental health challenges. YouTube plans to argue that its service is different in nature from platforms such as Instagram and TikTok and should not be treated the same way. TikTok has declined to outline its courtroom strategy.

Since 2022, thousands of lawsuits across the United States have accused social media companies of deliberately designing addictive features that harm children. 

In September 2025, a California court allowed expert witnesses to explain how tools such as endless scrolling, autoplay and algorithm-driven feeds affect young users’ mental health. That ruling cleared the path for this bellwether case.

At the same time, the companies are fighting a parallel issue for public trust. They have rolled out new parental controls, funded school workshops and partnered with youth groups to show they take safety seriously. Meta has sponsored “Screen Smart” sessions in schools. 

TikTok has backed parent programmes under the banner “Create with Kindness”. Google, YouTube’s parent company, has worked with the Girl Scouts on online safety badges.

Individuals say these initiatives muddy the waters. Julie Scelfo, founder of Mothers Against Media Addiction, said: “These companies are using every lever of influence that you can imagine. It can be very confusing for parents who to trust.”

However, despite this growth, the federal government has officially fallen short of the ambitious 70% broadband penetration target set in the National Broadband Plan (NBP 2020–2025), which expires this month.

According to the latest industry data from the Nigerian Communications Commission (NCC), total internet subscriptions in the country reached 144.7 million in November 2025, a steady climb from the 136 million recorded in the same period in 2024.

Technology Breakdown: The Shift in Connectivity

While Mobile (GSM) remains the undisputed king of Nigerian connectivity, 2025 saw a notable surge in “fixed-line” and ISP-led technologies as businesses and high-income households moved toward more stable fiber and satellite options.

Subscription Growth by Segment:

The Data Consumption Explosion

The most staggering statistic of 2025 is not the number of users, but how much data they are consuming. Nigerians consumed a record 1.24 million terabytes (TB) of data in November 2025 alone.

Total data consumption between January and November 2025 reached 11.86 million TB, representing a 34.96% increase compared to the 8.79 million TB consumed during the same period in 2024.

This surge is attributed to the rise of remote work, video streaming (TikTok, YouTube), and the transition of government services to digital platforms.

Market Share: The “Big Four” Leaderboard

MTN Nigeria continues to dominate the market, holding over half of the total internet subscriptions.

1. MTN: 78.8 Million
2. Airtel: 50.3 Million
3. Globacom: 14.2 Million
4. T2 (9mobile): 771,035

In Nigeria, technology has changed how these moments happen. Families have moved from DVDs and cable TV to streaming platforms that offer easy access to both Nigerian and international movies and shows.

The idea is the same: spending time together, laughing, and making memories. What has changed is how stories are watched?

Today’s streaming services offer a strong mix of Nollywood Christmas movies, popular Hollywood titles, and children’s content. All you need is a stable internet connection and a subscription plan that fits your budget.

Top Choices for Family-Friendly Viewing

Netflix Nigeria

Netflix Nigeria provides several plans, from about ₦2,500 per month for the Mobile plan to ₦8,500 for the Premium plan. The Premium option allows Ultra HD viewing and supports up to four screens at the same time, which works well for larger families.

Netflix is always outstanding during Christmas because of its growing Nollywood collection and wide range of international movies and series.

Families can enjoy titles like A Naija Christmas, Netflix’s first Nigerian Christmas original, which blends comedy, romance, and family drama in a way that suits general audiences. There are also classic Hollywood Christmas movies and cartoons for children.

Netflix includes dedicated kids’ profiles with parental controls, helping parents manage what younger children can watch.

Although prices have increased in recent times, many families still prefer Netflix because of its wide content library and ease of use across different devices.

Amazon Prime Video

Amazon Prime Video costs around ₦2,300 per month in Nigeria and offers a seven-day free trial. This makes it one of the more affordable options in the market.

The platform has also been investing more in Nigerian content, with titles such as Christmas in Lagos and A Danfo Christmas showing its interest in local stories.

Prime Video is suitable for families because it combines affordability with good-quality content. Alongside Nigerian movies, it offers Amazon Originals, international blockbusters, and a range of family-friendly shows. One subscription allows streaming on multiple devices without extra charges.

Its X-Ray feature, which shows cast details and extra information when a movie is paused, can also be a fun and educational addition for curious viewers.

Showmax

Showmax focuses mainly on African content, with some international titles included. Subscription plans start from about ₦1,600 per month for the Mobile plan, while higher plans that include sports cost more.

For families that enjoy Nollywood, Showmax is a strong option. It features titles like School Run, its first Nigerian original, alongside many classic and recent local movies. One key advantage is its link with DStv.

DStv Premium subscribers get Showmax at no extra cost, while other DStv users can access it at a discounted rate.

Showmax also allows offline downloads, which is helpful for families dealing with unstable internet or high data costs. On the standard plan, two people can stream at the same time, making it suitable for couples or small families.

Other Good Options for Christmas

YouTube Premium

YouTube Premium has become a solid choice for family entertainment. The individual plan costs about ₦1,700 per month, while the family plan is around ₦2,800 for up to six people. Even after the price increase in April 2025, the family plan remains good value.

Beyond ad-free viewing, YouTube Premium gives families access to Nollywood movies, local creators, comedy skits, music, and educational content without interruptions.

Videos can also play in the background, and downloads are available for offline viewing, which is useful during travel or in areas with poor internet.

IbakaTV (Honourable Mention)

IbakaTV may not be as popular globally as Netflix or Prime Video, but it is a good option for families that prefer Nollywood content.

The platform offers a large collection of Nigerian movies and TV shows, covering drama, thrillers, and family-friendly titles.

Because it focuses on Nigerian cinema, IbakaTV sometimes provides access to local movies before they appear on bigger platforms. It is especially useful for families who want to stay connected to Nigerian culture or prefer mostly local films.

Conclusion

Choosing the right streaming service depends on your budget, viewing habits, and content preferences. For lower-cost options, Prime Video and Showmax Mobile stand out at around ₦2,300 and ₦1,600 per month.

Netflix is more expensive, but it offers a wider content library that may justify the price for some families. If your household already spends a lot of time on YouTube, the YouTube Premium family plan at ₦2,800 is also good value.

Families that mainly want Nigerian content may prefer Showmax or IbakaTV, while those looking for a mix of local and international titles may find Netflix or Prime Video more suitable.

In Nigeria, data costs are also important, so platforms that support offline downloads, such as Showmax and YouTube Premium, can help reduce expenses.

To keep everyone happy, mix Nigerian and international movies, balance long films with short comedies, and include cartoons or documentaries that suit all ages.

Streaming options in Nigeria continue to change as platforms adjust prices and content.

The best service is not always the most expensive one, but the one that fits your family’s needs, budget, and taste.

In Nigeria, 2025 was a year defined by explosive musical talent and captivating storytellers who solidified Nollywood’s place as a global powerhouse.

Today, we’re celebrating the artists and creators who shaped our year by releasing Nigeria’s official 2025 Top Lists.

And for the first time, we’re also launching a new, personalized experience called YouTube Recap that gives you a unique look at your own year on YouTube.

The Music That Moved Nigeria This year, the charts were dominated by a powerful mix of gospel, Afrobeats, and breakout stars.

From the spiritual depth of “NO TURNING BACK II” to the infectious energy of Shallipopi’s “Laho” and Davido’s “With You,” these were the songs and visuals that became the soundtrack of 2025 for Nigerians. Congratulations to every artist who made this year unforgettable.

Top 10 Music Videos, Nigeria

1. No Turning Back Ii | Gaise Baba & Lawrence Oyor
2. Shallipopi – Laho (Official Video)
3. Davido – With You (Official Video) Ft. Omah Lay
4. Olamide, Seyi Vibez, Asake, Young John – 99 (Official Video) Ft. Daecolm
5. Asake – Why Love (Official Video)
6. Rema – Baby (Is It A Crime) [Official Video]
7. Chella – My Darling (Official Visualiser)
8. Wizkid – Kese (Dance) (Official Video)
9. Shallipopi, Burna Boy- Laho Ii (Official Video)
10. Davido – With You Ft. Omah Lay (Visualizer)

The Creators Who Captured Our Attention Nollywood’s influence and the rise of independent storytellers were undeniable in 2025. Channels like Omoni Oboli TV and Itelediconstudio kept us glued to our screens with compelling dramas and blockbuster series.

At the same time, the brilliant comedy of Brain Jotter proved that laughter is a language we all share. These creators are not just making videos; they are building communities and defining the future of entertainment in Nigeria.

Top 10 Creators, Nigeria

1. Omoni Oboli TV
2. Itelediconstudio
3. Uchenna Mbunabo Tv
4. Saira Movies
5. Maurice Sam TV
6. RuthKadiri247
7. APATATV+
8. Uche Montana TV
9. Sonia Uche Tv
10. Brain Jotter

Introducing YouTube Recap: Your Year, Made by You While these lists show what Nigeria watched together, we know that every person’s YouTube journey is unique. That’s why we’re thrilled to launch YouTube Recap, our most personalized year-end recap ever.

YouTube Recap creates a fun, shareable story of your viewing habits. Ever wondered what your top-watched channel was? Or what topics you explored the most?

YouTube Recap has the answers. It also introduces a brand new “Personality Type” card, which analyzes your viewing patterns to assign you one of 14 fun personas, like the “Sunshiner” or the “Adventurer.”

Are you a top fan? The recap will let you know if you’re in the top 25% of viewers for one of your favorite creators.

To find your YouTube Recap, just open the YouTube app and look for the recap banner on your homepage.

“Nigeria’s creative energy is undeniable, and this year’s lists prove that the nation’s artists and storytellers are creating content that resonates globally,” says Addy Awofisayo, head of Music for Sub-Saharan Africa, YouTube. “From chart-topping music to must-watch Nollywood dramas, we’re proud that YouTube is the place where this talent can shine. With the new YouTube Recap feature, we’re excited to give every user a fun, personal way to celebrate the videos that made their own year special.”

Check out the full lists and discover your own YouTube Recap today!

Smart TVs are among the easiest ways to improve your home entertainment. They let you stream movies, watch shows, play games and enjoy endless content without extra devices.

Whether you’re upgrading your home or buying a gift, choosing the right TV takes a bit of thought.

Why Smart TVs Make Good Christmas Gifts

Smart TVs are a popular holiday buy because they mix convenience with entertainment. They connect to the internet, so you can open Netflix, YouTube, Prime Video and other apps straight from the screen.

They work well for students, families or anyone who wants simple access to their favourite shows.

When buying a smart TV this Christmas, keep these points in mind:

• Screen size: Choose what fits your room. Most Nigerian living rooms work well with 43 to 55 inches.
• Resolution: 4K is now the standard for sharp and colourful pictures.
• Operating system: Google TV, webOS and Tizen are the common ones. The OS affects how easy the TV is to use.
• Budget: Prices vary widely, so decide how much you want to spend.
• Screen type: LED is the cheapest. QLED and OLED look better but cost more.

Best Budget-Friendly Smart TVs for Christmas

If you’re trying to manage your money this season, there are good options that still deliver strong performance.

TCL 43-inch P635 Series Google TV

TCL has built a name for affordable TVs that offer good value. This 43-inch model is one of them.

Key Specifications:

• 43 inches
• 4K UHD (3840 × 2160)
• LED with HDR10
• Google TV, Google Assistant, wide app selection
• 60Hz refresh rate
• Price: N320,000–N356,000

Why It Is Recommended:

This TV works well for students, small apartments or a bedroom setup. Google TV makes it easy to find movies and apps, while the 4K upscaling improves low-quality videos. The size also suits tight spaces.

Hisense 43-inch A4 Series Smart TV

Hisense is one of the most dependable brands in Nigeria, and the A4 series gives strong value for its price.

Key Specifications:

• 43 inches
• Full HD (1920 × 1080)
• LED with Natural Colour Enhancer
• VIDAA U, Netflix, YouTube, app store
• 60Hz refresh rate
• Price: N280,000–N340,000

Why It Is Recommended:

This model covers basic viewing needs well. It handles local TV, YouTube and Netflix without stress. The colour enhancer improves picture quality, and the DTS Virtual Sound makes the audio feel fuller. It also uses little power, which helps reduce electricity costs.

Mid-Range and Premium Smart TV Picks

If your budget is higher, these TVs offer better colour, sound and overall performance.

Samsung 55-inch Q60D QLED Smart TV

Samsung’s QLED line is known for excellent picture quality, and the Q60D brings that technology at a more friendly price.

Key Specifications:

• 55 inches
• 4K UHD
• QLED with Quantum Dot
• Tizen OS, voice control, Samsung Smart Hub
• 60Hz refresh rate
• Price: N1,200,000–N1,400,000

Why It Is Recommended:

Movie lovers will enjoy the bright and sharp colours from the Quantum Dot screen. The large display gives a cinema feel, while Dolby Atmos sound adds depth. Gamers also benefit from low lag and Game Mode. The remote charges with sunlight, which is a nice touch.

LG 55-inch UT73 Series 4K Smart TV

LG has always been impressive, with its webOS platform and strong picture quality across its range. The UT73 series is a good example of this consistency.

Key Specifications:

• 55 inches
• 4K UHD
• LED with HDR10 Pro
• webOS 24, AI Magic Remote, voice control, 4 years of updates
• 60Hz refresh rate
• Price: N550,000–N600,000

Why It Is Recommended:

The Alpha 5 AI Processor improves both picture and sound depending on what you’re watching. WebOS is easy to navigate, and FILMMAKER MODE lets you watch movies as the director intended. Gamers also get a dedicated dashboard for quick settings.

Conclusion

Before buying a smart TV, measure your room and consider the viewing distance.

• For a 43-inch TV, sitting 5-7 feet away works well.
• For a 55-inch TV, 7-9 feet is ideal.

Think about your main use too. If you stream often, focus on apps and internet connectivity. Gamers should look for low lag and good motion handling. Sports fans should choose TVs with strong motion processing. Also check power usage, since TVs run for long hours daily.

Platforms like Jumia and Konga provide many options, often with Christmas discounts, free delivery or extended warranties. Shopping online also makes it easier to compare features and read reviews.

Look out for deals that include free wall mounts, surge protectors or longer warranties. A smart TV is more than a seasonal gift, it becomes part of family time. Whether you buy a budget model or a premium one, it will continue to bring joy long after Christmas.